The Poem That Invented an American Legend

In 1855, a Boston professor sat down to write an Indian Edda — and ended up giving America a hero whose name never actually belonged to the tribe he wrote about.

Epics · 4 min read ·

The Poem That Invented an American Legend
Edmonia Lewis, CC0, via Wikimedia Commons

On November 10, 1855, the publishing house Ticknor and Fields released a strange and ambitious poem into the world: The Song of Hiawatha, by Henry Wadsworth Longfellow. Written in trochaic tetrameter — the same driving, chant-like meter Elias Lönnrot had used for Finland's Kalevala — the poem told the story of an Ojibwe warrior named Hiawatha, his love for a Dakota woman named Minnehaha, and a world populated by wind-spirits, talking animals, and ancient grandmothers who fell from the moon. It was an immediate success. By 1857, Longfellow himself calculated that 50,000 copies had sold.

The poem's roots were tangled from the start. Longfellow had originally intended to name his hero Manabozho, following the work of Henry Rowe Schoolcraft, an ethnographer and United States Indian agent whose Algic Researches (1839) supplied much of Longfellow's material. Manabozho was the name used among the Ojibwe of Lake Superior's south shore for a trickster and transformer figure in their folklore. But in a journal entry from June 28, 1854, Longfellow wrote that he would call his work 'Hiawatha' instead — 'that being another name for the same personage,' he believed. He was mistaken. Hiawatha was not another name for Manabozho at all, but a real, pre-colonial figure tied to the League of the Iroquois in New York and Pennsylvania — a wholly different tradition.

Longfellow drew from more than books. He counted the Ojibwe chief Kahge-ga-gah-bowh, also known as George Copway, as a friend who visited his home, and he had frequent encounters with the Sauk leader Black Hawk and other Sauk people on Boston Common. He also leaned on the Narratives of the missionary Heckewelder. Of his method, Longfellow insisted, 'I can give chapter and verse for these legends. Their chief value is that they are Indian legends.'

Longfellow set his story at Pictured Rocks, on the south shore of Lake Superior — one of the very locations where narrators traditionally told Manabozho stories. The poem unfolds across 22 chapters plus an introduction, though Hiawatha himself isn't introduced until Chapter III. It opens with the peace-bringing leader Gitche Manito prophesying Hiawatha's arrival, then recounts how the warrior Mudjekeewis became Father of the Four Winds by slaying the Great Bear, Mishe-Mokwa, and how his three sons — Wabun the East Wind, Kabibonokka the North Wind, and Shawondasee the South Wind — each fell into their own strange romances, one with a maiden turned into the Morning Star, another mistaking a dandelion for a golden-haired woman.

Hiawatha's own origin is stranger still: a woman named Nokomis falls from the moon and gives birth to Wenonah, who is warned against the seductions of the West Wind, Mudjekeewis, but succumbs anyway — and Hiawatha is born of that union. From there the poem follows Hiawatha through childhood adventures, his courtship of Minnehaha, his defeat of the evil magician Pearl-Feather, his invention of written language, and his discovery of corn. Minnehaha's death in a brutal winter marks the poem's tragic turn.